Made Slowly, on purpose.
Marrow & Clay began in a converted garage with one kiln, one workbench, and a stubborn belief that things made quickly are rarely made well.
What started as a single potter’s wheel has grown into a small studio of makers, but the pace hasn’t changed. We still measure our work in weeks, not units — because texture, weight, and warmth can’t be rushed.
Every piece that leaves our shelves has been touched by hand more times than it’s touched a machine.
We believe an object should carry the trace of the hand that shaped it — its small imperfections are proof of care, not error, and its slowness is the point, not the cost.
The Makers
Hands behind the work
01
Marisol Adeyemi — Ceramics
Trained in Lisbon under a third-generation potter, Marisol throws every vessel by hand and finishes each with a matte, ash-based glaze she mixes herself.
02
Tobias Reyn — Woodwork
Tobias sources reclaimed oak and walnut from local mills, shaping bowls and boards with hand tools rather than lathes wherever the grain allows.
03
Junko Hale — Textiles
Junko weaves our throws and table linens on a floor loom, dyeing every thread with plant-based pigments before it ever meets warp or weft.
04
Elias Storm — Metalwork
Elias hand-forges our candle holders and hardware, hammering each piece cold to keep its surface honest and slightly uneven.
In The Studio
Craft, not compromise
No two pieces are identical, and that’s by design. We’d rather make one hundred honest objects than ten thousand perfect ones.
Every order is made after it’s placed — nothing sits in a warehouse waiting to be sold.
Materials & Techniques
Stoneware Clay Reclaimed Oak Hand-Thrown Plant-Dyed Linen Cold-Forged Iron Ash Glaze